You should avoid including specific character names. When you write your story logline, you’re trying to convey the general idea of your film. Don’t be mistaken though just because technically you can rattle out a logline in a few minutes in one sitting doesn’t mean that’s what you should actually do. More often than not, a logline will just be one detailed sentence. The key with loglines is to hover around 30 words, and have between one and three sentences. Maybe you want to let the film speak for itself so much that you’re left with an extremely short logline that barely explains anything and doesn’t capture anyone’s attention. Or maybe you’ll have the opposite problem. You might end up with the problem that your script feels like your baby, and leaving out any important aspects of your film in your logline feels like cutting off your baby’s arm. Screenplay synopses can be numerous pages long, but script loglines don’t even go near such lengths.
Have the Right Logline Lengthīrevity is a key aspect of what is a logline. These four elements are usually introduced in this specific order, but they can be rearranged if necessary.Īn inciting incident is an event that happens to your characters that ends their lives as they knew it before, and begins the next chapter of their lives.Īs a result, many loglines end up following this basic format: When, a leads to.
Loglines should introduce most (if not all) of the following: the inciting incident of the film, the protagonist, and the protagonist’s goal, and the main conflict.
A LOGLINE EXAMPLE HOW TO
How To Turn Your Logline Into A Screenplay
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